| 中国插花艺术研究 |
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| 引用本文： | 苏雪痕,王莲英.中国插花艺术研究[J].北京林业大学学报,1989,11(4):74-79. |
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| 作者姓名： | 苏雪痕 王莲英 |
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| 作者单位： | 园林系 |
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| 摘 要： | 东方插花艺术源于中国。中国原始插花意念始于佛前供花,发展于唐、宋,盛于明代。发展过程中,风格上受佛教、道家、儒家哲学思想的影响;构图上受传统习惯的影响,逐渐形成了中国插花艺术的风格:自然、简洁、重视线条美;花材以木本花卉为主,作品常赋予精神上的意义,重视特制容器及花与容器相称。
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| 关 键 词： | 插花艺术 风格 构思 人格化 |
A Study on Chinese Flower Arrangement Art |
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| Su Xuehen Wang Lianying.A Study on Chinese Flower Arrangement Art[J].Journal of Beijing Forestry University,1989,11(4):74-79. |
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| Authors: | Su Xuehen Wang Lianying |
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| Institution: | Landscape Architecture Department |
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| Abstract: | The art of flower arrangement in the Orient had its origin in China. Chinese primitive idea of flower arrangement stemmed from offerings in front of buddha, then was developed in Tang and Song Dynasties, finally was flourished in Ming Dynasty. In the process of development the style of Chinese flower arrangement was influenced by philosophy of Buddhism, Taoism, and the Confucianists.The composition was influenced by basic canons of Chinese paintings. The selection of flower materials was influenced by Chinese literature and tradition.The Chinese flower arrangement was formed gradually. It is natural and simple. It is paid more attention to composition for beauty of lines. Much emphasis is placed on selectivity in the appreciation of flowers. More flower branches of shrubs and trees are selected than herbs. The work of Chinese flower arrangement is always endowed with definite sentiments, and also lays much emphasis on special made containers and accessories and their harmony with flowers. |
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| Keywords: | flower arrangement art style composition personification |
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