| 论中国电影的书法审美 |
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| 引用本文： | 刘春明.论中国电影的书法审美[J].信阳农业高等专科学校学报,2007,17(4):82-84. |
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| 作者姓名： | 刘春明 |
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| 作者单位： | 山东大学,文史哲研究院,山东,济南,250100 |
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| 摘 要： | 书法是中国最为独特的艺术形式之一,在中国电影尤其是古装影片中是必不可少的组成部分。书法在电影中一般有两种审美表现形式:一种是作为背景镜头,另一种是作为特写镜头。书法作品不仅是一种道具,它还是时代、文化、修养、人格的标志。
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| 关 键 词： | 中国电影 书法 表现形式 审美效果 |
| 文章编号： | 1008-4916（2007）04-0082-03 |
| 修稿时间： | 2007-10-01 |
Aesthetics on Chinese calligraphy in Chinese films |
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| LIU Chun-ming.Aesthetics on Chinese calligraphy in Chinese films[J].Journal of Xinyang Agricultural College,2007,17(4):82-84. |
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| Authors: | LIU Chun-ming |
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| Abstract: | Chinese Calligraphy is one of the most typical forms of arts in China and it's a necessary part in Chinese Films especially in Chinese Ancient Costume Films.There are two forms of expression about calligraphy in films: one is as a scene of backgrounds,and the other is as a scene of close-ups.Calligraphy Works is not only a kind of property but also a sign of a period,culture,self-cultivation,personality. |
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| Keywords: | Chinese films Chinese calligraphy forms of expression aesthetic effects |
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