| 试论敦煌壁画男性乐舞的舞台创作 |
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| 引用本文： | 眭美琳.试论敦煌壁画男性乐舞的舞台创作[J].四川畜牧兽医学院学报,2009(4):99-101. |
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| 作者姓名： | 眭美琳 |
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| 作者单位： | 广州大学音乐舞蹈学院,广东广州510006 |
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| 摘 要： | 为探寻敦煌男性壁画乐舞的渊源及流变，从历史学、宗教学、舞蹈身体语言学等角度尝试探讨敦煌壁画男性乐舞“静态”的舞蹈资源构成及其“动态”的舞台呈现，以期为中国古典舞教学、创作、表演和批评提供具体的参照和有效的理论支撑。
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| 关 键 词： | 敦煌壁画 男性乐舞 舞台创作 |
On the Stage Creation of Male Music-Dance in Dunhuang Mural |
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| SUI Mei-lin.On the Stage Creation of Male Music-Dance in Dunhuang Mural[J].Journal of Sichuan Institute of Animal Husbandry and Veterinary Medicine,2009(4):99-101. |
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| Authors: | SUI Mei-lin |
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| Institution: | SUI Mei-lin (College of Music and Dance, Guangzhou University, Guangzhou, Guangdong 510006, China) |
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| Abstract: | This paper explores the origin and development of Male Music-Dance in Duanbuang Mural. From the perspectives of history, religion and dancing body language, the author probes into the l＇static＂ resources of the Male Music-Dance and its ＂dynamic＂ stage performance, whereby the author hopes to provide a detailed reference and effective theoretical support for the teaching, creating, performing and criticising of Chinese Classical Dance. |
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| Keywords: | Dunhuang Mural male music-dance stage creation |
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