| 德彪西音乐和印象派绘画的艺术追求文化内涵及审美意蕴 |
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| 引用本文： | 何鑫.德彪西音乐和印象派绘画的艺术追求文化内涵及审美意蕴[J].信阳农业高等专科学校学报,2010,20(2):108-109. |
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| 作者姓名： | 何鑫 |
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| 作者单位： | 信阳农业高等专科学校,人文社科部,河南,信阳,464000 |
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| 摘 要： | 在"艺术通感"中,最活跃的是视觉和听觉,通常人们把它称之为"视听通感"。绘画艺术和音乐艺术由于"视听通感"的广泛存在,它们在视觉艺术和听觉艺术之间搭起了桥梁。所以,各种艺术形式之间的关系并不是孤立的,而是相互渗透和影响的。德彪西音乐和印象主义绘画的艺术追求、文化内涵及审美意蕴就是一个例证。
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| 关 键 词： | 印象主义绘画 德彪西音乐 通感 |
Debussy's Impressionist paintings and the pursuit of art,cultural connotation and aesthetic |
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| HE Xin.Debussy's Impressionist paintings and the pursuit of art,cultural connotation and aesthetic[J].Journal of Xinyang Agricultural College,2010,20(2):108-109. |
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| Authors: | HE Xin |
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| Institution: | HE Xin(Department of Social Sciences,Xin Yang Agricultural College Xinyang 464000,China) |
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| Abstract: | In the Art Feeling,the most active is the vision and hearing,people usually call it audio-visual synesthesia. Painting and music as audio-visual synesthesia, a widespread,they are in the visual arts and the art of bridging the gap between hearing.Therefore,the relationship between various art forms are not isolated,but the mutual penetration and influence.Debussy music and Impressionist paintings of artistic pursuit,and cultural connotation and Aesthetic is an example. |
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| Keywords: | Impressionist painting Debussy music synesthesia |
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