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逸人·逸笔·逸气——论倪瓒诗画创作风格的互通
引用本文:戴欢欢,任声楠.逸人·逸笔·逸气——论倪瓒诗画创作风格的互通[J].安徽农业大学学报,2021,30(2):114-118.
作者姓名:戴欢欢  任声楠
作者单位:合肥师范学院 文学院, 安徽 合肥 230601;江苏师范大学 文学院, 江苏 徐州 221116
基金项目:合肥师范学院科研启动基金项目"元代少数民族书画家诗歌研究"(2020rcjj38)
摘    要:倪瓒身处元末,散尽家财,隐迹山水,交游甚广,以写诗、作画以自娱。倪瓒之画,不求形似,简笔率略而成,自得天真逸趣,形成简远空疏之境。倪瓒之诗,不事雕琢,遇事感兴,得乎性情之正,有冲淡萧散之风。作为画家兼诗人,倪瓒打破了画与诗两种不同艺术形式之间的壁垒,实现了其诗画艺术风格的互通。

关 键 词:倪瓒  逸人  逸笔  逸气
收稿时间:2020/11/21 0:00:00

Uninhibited Life, Unrestrained Brush and Pen, and Unfettered Mind: Ni Zan's Poetry and Painting
DAI Huanhuan,REN Shengnan.Uninhibited Life, Unrestrained Brush and Pen, and Unfettered Mind: Ni Zan's Poetry and Painting[J].Journal of Anhui Agricultural University,2021,30(2):114-118.
Authors:DAI Huanhuan  REN Shengnan
Institution:School of Arts, Hefei Normal University, Hefei 230601, China; School of Chinese Language and Literature, Jiangsu Normal University, Xuzhou 221116, China
Abstract:Ni Zan was a painter and poet in the late Yuan Dynasty. He did not care about wealth, but loved to travel mountains and rivers, make friends, and live an uninhibited life. He always felt free to write simple and natural poems to express his thoughts and temperament with an unrestrained pen, which broke the barrier between painting and poetry and realized the intercommunication of his artistic style of the two artistic forms.
Keywords:Ni Zan  uninhibited life  unrestrained brush and pen  unfettered mind
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